Traffic
11/23/70
Anderson Theatre
New York City NY
Set 1
Medicated Goo
Pearly Queen
Empty Pages
Heaven Is In Your Mind
Forty Thousand Head Men
John Barelycorn Must Die
Who Knows What Tomorrow Will
Bring
No Time to live
Every Mother's Son
Freedom Rider
Shoot out at the Fantasy
Factory *
Low Spark of the High Heeled
Boys *
*from "On The
Road" commercial release added as filler not from Anderson Theater
performance see
Comment notes excerpted from
info from -- http://www.azstarnet.com/~bobbieg/boot70.htm#woodwind
The first nine songs were
recorded @ The Andersen Theater in NYC 11/23/70. Personnel includes SW, CW, JC,
and Rick Grech. This disc is most notable for the inclusion of Rick Grech to
the group near the latter part of their 70 tour. Along with playing bass, he
also lends a hand with lead guitar. The disc finds a group which had been on
the road for awhile bolstered by a new member to add new flavors to their
arrangements. For fans of the 70 Tour this disc offers a rare glimpse of
Traffic as a quartet, with the additional freedom offered by another member.
The disc starts with an Intro by none other than Bill Graham. Medicated Goo is
a bit disjointed although Winwood is in fine voice, and plays a lead somewhat
reminiscent of Stranger to Himself from earlier in the tour. A nice version of
Pearly Queen is next, with Grech on hand to lend support to the rhythm section,
Chris's organ fills break loose a bit to add some color. For fans of the LP
version of Empty Pages, this concert version is among the best I've heard.
Steve's vocals and keyboard work (sounds like a Fender Rhodes or RMI electric
piano) are top notch and the band seem to catch a good groove with this tune.
An updated version of Heaven replete with a lovely jam with Chris on sax
playing off a vamping Winwood organ to finish off the song, adds new insight to
some older material. A change of pace highlights the next tunes. Forty Thousand
Headmen offers some lovely flute work by Chris, and John Barleycorn is welcome
for a version not marred by lyrical snafus as found in other versions from
earlier in the tour. Who Knows finds Grech trying his hand at lead and rhythm
guitar. The addition of guitar adds greatly to the feel of the tune, fleshing
it out, adding more texture and spark. Steve's soloing is especially tasty and
the song offers good ensemble playing. Every Mothers Son is a highlight. Other
versions of this song lacked the lovely guitar riff that accompanies the
opening keyboard parts. Although the addition of guitar to the song is welcome,
Grech is unable to provide the caliber of playing that was on the studio
version. One wonders if the reason the live 11/70 release was shelved because
the band wasn't comfortable with Grech's guitar work. (That was one of the
reasons given for the non-release of the material recorded just days before
this gig. See The "Lost" Live Album.) Nevertheless this is a
wonderful version of Every Mothers Son, with great tension built up by the dual
piano, organ combo and not to be missed. The disc end uneventfully, with a
version of "Freedom Rider" without "Glad" preceding.
Shootout and Low Spark from On the Road are added as filler. The sound quality
of this disc is excellent. These tapes may have been from a "Grateful
Dead" soundboard of this show. At any rate well beyond typical bootleg
sound!
Rating A
Review by GA 1/2/98
Winwood and possibly Capaldi
joined the Grateful Dead onstage at the Anderson theater in New York City on
November 23, 1970. On one tape of the show, Winwood's performance apparently
begins during the song "Hard To Handle" (Pigpen vocals), where he
plays Hammond organ, followed by "Railroad Blues" (Jerry Garcia
vocals), then a medley of "Not Fade Away" / "Goin' Down the Road
Feelin' Bad" / "Not Fade Away". Steve attempts the lead vocal on
the first "Not Fade Away", but apparently only knows part of the
first verse and chorus, which he mangles in a couple of tries. He seems
embarrassed, and sings in an odd, low register. Finally, he says "OK, fade
away, I sang something" and drops out vocally for the rest of the song. He
makes up for it in his playing, which is supportive and fits nicely into the
Dead's sound. Bob Weir handles the lead vocals for the rest of the song, with
Steve adding some backing. In about the last three minutes of the tape, Bill
Graham comes on and introduces Traffic, who kick into "Medicated Goo"
just before the tape ends. The Grateful Dead taped all of their own shows,
apparently including supporting acts such as Cream and Traffic.
See SP 07-04.